Tuesday, March 28, 2006

For a few hours, I saw what it would be like if I were a Republican

Okay, I am going to put off Mass Media: Part II for another night, because I really need to write about this tonight....

I hate country club gigs.

I just did one tonight. It was a last-minute sort of arrangement. Our dinner theater show is touring to a few places in the area in order to drum up some support for the program. I have done, in my three years at this job, two country club gigs and one yacht club. Each time, I have walked away from the gig feeling dirty. These places really make me sick..... here's why:

  • They are fake
The primary function of these types of places is to shield the rich and privileged white upper class from the harsh realities of life. They are all form, and no substance. These places comprise of carefully manicured and cultivated surroundings, ridiculously expensive houses, and public areas that appear antiseptically clean and groomed. The entire compound is surrounded by tall metal fences masked by shrubbery, and access is carefully controlled to avoid contamination by the "wrong kind of people."
However, if you look closely, you will see evidence of the real world that is unavoidably present just beneath the surface of this utopian facade. The serving areas of the clubhouse we visited tonight were small, cramped, and often dirty. You see, the people that live in this "community" are too good and too important to be expected to take care of the day-to-day maintenance of their own little world, so they employ a small army of people to do it for them. These sadly underpaid and ill-treated staff don't take much pride in what they do (most of their pride has been forcibly extracted from them by their masters... we'll get to that) and so they tend to miss some details. For example, a several-months-old piece of bread was discovered on top of a set of lockers in the men's locker room. Obviously left by an oblivious resident with the expectation that it would be immediately cleaned up, it was not immediately visible and easily missed. Of course, the resident could have simply tossed the bread into the nearby garbage can, but why do that when you have servants to do it for you?

  • They are elitist
The people that inhabit this environment, by and large, are absolutely convinced of their intellectual, moral, and social superiority. They exude from every pore the idea that by some divine right, they are better than the "common folk," deserve special treatment, and are exempt from the rules of conduct that define human interaction in civilized society. (At least, when interacting with those considered to be below their stature.) This is the kind of place where you would not see a black or hispanic person, unless they were wearing livery.

  • They are inhabited by rude, obnoxious people
Connecting with the above point, by and large, the residents of these places just make me want to brush my teeth. Perhaps because of this strange sense of entitlement and superiority, they treat their staff with such disrespect that I can hardly see how any of them make it through a day without getting fired. I would. I saw good, decent people being verbally abused, sexually harassed, and generally treated like a sub-human species. Perhaps they have had toadies to cater to their every whim for so long that they seem to forget that their staff are people too, because they certainly don't treat them that way.
During the course of the show, I witnessed a group of four who flat out refused to return to their seats after our first intermission. They stood directly in front of my console and continued their conversation in increasingly louder and louder voices, trying to make sure that they people on the other side of the room could hear them over the actors, and (I assume) trying to make sure that those around them knew that their conversation was much more important that the other people's enjoyment of the show.
I had one guy who, during the second intermission, came over and sat down at my console while I was taking a bathroom break, and began leafing through my script, looking to find out who the murderer in the story was. I approached him, and said cheerfully, "Sir, I wouldn't look through that if I were you. You'll spoil the ending." He fixed me with a look equivalent to one that a cockroach would receive. I finally got him to move away from my equipment, when I began toying with one of the prop pistols; checking the blanks in preparation for the third act.
Several of these disgusting piles of human garbage made lewd and lascivious remarks toward my actresses throughout the course of the performance. This show involves a lot of audience interaction, and the cast is fairly attractive, so some good natured comments are to be expected and understood. However, apparently several of the men in the audience crossed the line, to the point that some of the actresses expressed feeling uncomfortable or disturbed.
Finally, during load out, several large groups of human flotsam congregated in the middle of the ingress/egress routes from the performance area, each one trying to outdo the other in the volume and banality of their conversation. Each one also completely ignoring the people trying to hand carry several hundred pounds of audio equipment up a flight of stairs. No amount of cajoling would grant us passage, and if we had simply forged ahead, instead of waiting patiently for a hole to open up, we would have probably trampled a few on the way to the door.

Ugh!
This is why I feel dirty. Sometimes I look at these people and see leeches, sucking the soul out of our nation. Sometimes I want to jump up and down and shout, "See, SEE! This is why the rest of the world hates America. This is why we have people trying to blow up national monuments. This attitude is why the most common phrase heard by tourists in Paris is, "Je deteste Americains."

Perhaps I am letting my own personal prejudices cloud my judgmentnt, or perhaps not. Either way, I am off to take a shower......

Saturday, March 25, 2006

Still Writing

IRCC's production of The Diary of Anne Frank
Hey folks!
I've picked up Mass Media, Part II again, and it will be ready for posting in a few days. Unlike Duke Nukem Forever, I have promised myself and, vicariously, you as well; that this topic will. not. become. vapor. It will, however, be a long post, so consider yourself warned.

Working on Part II has also moved me to write a Part III as well, but I won't make any promises on that one. I also won't reveal the topic of Part III here, but I'll add it to the end of Part II. (Yet another reason to finish the damn thing!

In other news, I bought a new phone the other day. My first camera-phone and my first bluetooth-enabled phone. I like my bluetooth headset, but I haven't quite got it all figured out yet. Primarly, what I want to do is redirect to the headset the record feature of the phone, so that I can record my voice commands via the headset. So far... no dice. But, the work continues.
I'm not sure how I feel about the camera function. I have always felt that a camera should be a camera, and a phone should be a phone, and never the two should meet. However, I don't always carry a camera, and I always carry my phone, so....... we shall see.

Until next time, namaste.

Sunday, March 12, 2006

GRS's Little Bro

Well, it looks like Jupiter's famous Great Red Spot has some competition. Scientists at NASA have announced the formation of a second, smaller red spot in the planet's atmosphere.

Sunday, March 05, 2006

Back from SETC

And.... we're back from the 57th Annual Southeastern Theatre Conference . For those who may not know, SETC is an annual gathering of southeastern regional theatres, summer stock theatres, and educational programs. It is the largest regional theatre conference in the country, and serves primarily as a time for theatre people to gather, share new ideas, and network. Many summer stocks, internships, graduate schools, and regional companies hire actors and technicians through a strenuous audition and interview process. There are parties, workshops, companies demo their new toys, community theatres, high schools, and colleges feature participate in play festivals, and everyone has a wonderful time.


IRCC goes each year to hire our interns for the next year, and to keep our finger on the pulse of the theatrical community. This year's conference was held in Orlando, FL, just a short hop from Fort Pierce. Here are some highlights from this year's conference.


Not many people looking for full time work attended this year. Most of the people passing by our booth were still in college and looking for summer work. However, the quality of our candidates this year was much higher than last year. We have several people in mind that would fit our program well. Now, if we can only get budgetary approval for the positions. That is still up in the air.


It was nice to see more sound-related presence this year. Sound is still very under-represented, but there were a couple (two or three) sound-related workshops during the conference, and a few of the manufacturers at the expo were in the field of sound.
For example: Shure made an appearance and presented a brief workshop on mic techniques. Also, Realtime Music Solutions, makers of the innovative and controversial "musical instrument" Sinfonia, was there for the first time.
(If you can remember the NY musician's union strike a few years ago, it was Sinfonia that prompted the strike. They were afraid that Sinfonia would drive live musicians out of the orchestra pit.)
Also appearing was Stage Research, makers of the SFX playback engine; and Notion Music, showing off their Notion music notation and playback software.


I had a very nice chat with the Shure people and they said that they were surprised at the number of sound people at the conference, and that they would like to do more for next year. In addition, I talked to a guy from StageResearch who might be interested in working with me on getting more sound content into the conference. (This year was my first wearing the pink "company rep" badge a the conference. Perhaps next year I'll be able to add a presenter's ribbon as well.


I also caught up with some old friends from Millsaps, Findlay, and others that I see only at the conference; as well as met a few new ones. So, all-in-all, the 57th Annual SETC was a rousing success!

I'm Back

... and better than ever!

As promised, I am finally back online and posting again! I have two brand-spanking new Alienware PCs and cable internet running on a sweet little wireless network (secured with MAC filtering and 128-bit encryption).

For those of you who might care, here is a breakdown of my rig.

DESKTOP
  • Alienware Area51 series (Space Black Full-tower case)
  • Dual Intel 3.0GHz processors
  • 2GB RAM
  • GeForce 7800 256Mb Graphics Card
  • 250Gb Hard Drive (Internal)
  • 40Gb Hard Drive (External, USB2.0)
  • DVD-ROM and DVD+/-RW drive
  • 2 10/100 Ethernet NICs
  • 8 USB ports (four front, four back)
  • IEEE1394 (firewire) port
LAPTOP
  • Alienware Area51 series (Saucer Silver case)
  • Intel 1.73 GHz processor
  • 512 Mb RAM
  • Mobile Intel 128Mb Graphics Card
  • 60Gb Hard Drive
  • DVD-ROM with CD/RW
  • Intel ProSet Wireless a/b/g adapter
  • 3 USB ports and IEEE1394
So, to sum up, we are back and online, and things are GREAT!
Until next time.....